Composed by: Lou Harrison (1917-2003) Adapted by: Felix Salazar
“Gending” is taken from the suite Varied Trio for violin, piano, and percussion (1987). It is the product of Harrison’s impassioned study of Javanese compositional form. While he... read more »
Composed by: Mantle Hood (1918-2005) Adapted by: Felix Salazar
Mantle Hood was a renowned ethnomusicologist who studied most of the great musical traditions of the world. Before turning his life's work to pioneering ethnomusicology, Hood studied compositio... read more »
Composed by: Traditional Javanese Adapted by: Ben Harbert
In a feat of musical globe-trotting, "Ladrang Siyem" is a 1929 adaptation of a Western-influenced Thai tune – "Sanrasoen Phra Barami" – that has been reclaimed on el... read more »
Composed by: Igor Stravinsky (1882-1971) Adapted by: Ben Harbert
Originally written for flute, clarinet, bassoons, trumpets, and trombones, Igor Stravinsky’s Octet for Wind Instruments has been arranged for five electric guitars, one bass guitar, one bar... read more »
Composed by: Dmitri Shostakovich (1906-1975) Adapted by: Ben Harbert, Felix Salazar
We'll never know if Dmitri Shostakovich would have written for electric guitar, but this arrangement of his double string quartet makes you wonder if he would have found voice for his early wor... listen »
Composed by: Toru Takemitsu (1930-1996) Adapted by: Felix Salazar
With a body of piano work that spans 43 years, “Romance” (1949), is the earliest surviving piece by Toru Takemitsu. Unknown and unheard during his lifetime, it prefaces what would becom... read more »
Composed by: Randall Kohl (b.1960) Adapted by: Ben Harbert, Felix Salazar
"Balinesa: El canto de los changos" and "Javanesa: Danza dorada del gamelán" are two short movements from Randall C. Kohl’s Suite Mundial. Both pieces are influence... listen »
Composed by: Lou Harrison (1917-2003) Adapted by: Felix Salazar
Lou Harrison’s The Perilous Chapel (1948) – an accompaniment for a dance production written for harp, cello, and flute – was described by choreographer Jean Erdman as “a psy... read more »