These two pieces reference, directly and indirectly, traditional Indonesian music. The prelude, "Armour Square Vespers," is wash of microtonal chords drawn from the Javanese pelog tuning.... listen »
Written for 10-100 classical guitars, Wayne Siegel's "Domino Figures" is a transcendent experience unlike no other. With a sound similar to that of a buzzing swarm of bees, overtones... listen »
Composed by: Lou Harrison (1917-2003) Adapted by: Felix Salazar
“Gending” is taken from the suite Varied Trio for violin, piano, and percussion (1987). It is the product of Harrison’s impassioned study of Javanese compositional form. While he... read more »
Composed by: Felix Mendelssohn (1809-1874) Adapted by: Ben Harbert
The organ and the electric guitar have a lot in common: the physical distance between the played instrument and the sound source; the range of possible effects (organ stops and guitar pedals); the... listen »
Composed by: Randall Kohl (b.1960) Adapted by: Ben Harbert, Felix Salazar
"Balinesa: El canto de los changos" and "Javanesa: Danza dorada del gamelán" are two short movements from Randall C. Kohl’s Suite Mundial. Both pieces are influence... listen »
Composed by: Lou Harrison (1917-2003) Adapted by: Felix Salazar
Lou Harrison’s The Perilous Chapel (1948) – an accompaniment for a dance production written for harp, cello, and flute – was described by choreographer Jean Erdman as “a psy... read more »
Composed by: Johann Sebastian Bach (1685-1750) Adapted by: Felix Salazar
As he did at the end of each of his cantatas, Bach marked the Well-Tempered Clavier with the postscript S.D.G., which stands for “Soli Deo Gloria,” Latin for “Glory to God alone.&... listen »